Princess Goes and Synthia Looper light up The Magic Bag in Ferndale for a night of electrifying synth-pop and mesmerizing performances.
First to the stage was the mesmerizing electro-pop artist Synthia Looper. From the moment she appeared, she transformed the venue into a pulsating universe of sound and light. As she took to the stage with her eclectic cohorts, it was clear that the audience was in for something extraordinary. Known for her innovative fusion of electronic music with live looping, Synthia showcased her skills with an infectious energy that kept the crowd entranced.
The visual elements of the show, including stunning light displays and synchronized projections, added an immersive layer to the experience, making it as much a visual feast as an auditory one. Tracks like “Call My Name” showcased her ability to craft immersive soundscapes, transporting listeners to a neon-drenched dystopia. The energy in the room was palpable, with Synthia feeding off the crowd’s enthusiasm and giving it back tenfold.
One of the standout moments was her rendition of “Sentient” where she created a complex, hypnotic rhythm that had the entire audience swaying in unison. Synthia Looper’s performance was a seamless blend of artistry and technology, leaving the audience in awe and elation.
Princess Goes delivered an unforgettable performance that was as much a theatrical spectacle as it was a musical experience. The trio, known for their genre-defying sound, took the stage with a presence that immediately captivated the audience. From the first note, it was evident that this was not just a concert but an immersive journey through the band’s eclectic world.
Frontman Michael C. Hall, widely known for his acting prowess, brought a commanding stage presence with absolutely killer vocals. His vocal range, from haunting whispers to powerful belts, was nothing short of mesmerizing. The crowd was instantly drawn in, swaying to the hypnotic beats laid down by Peter Yanowitz’s drums and Matt Katz-Bohen’s intricate synth layers and bass.
As the set progressed, the trio showcased their versatility with upbeat tracks like “Let it Go,” driving groovy beats with “Eat an Eraser,” and “Nevertheless,” which featured a haunting melody that gradually built into a soaring anthem that had everyone – including Hall – dancing. The band’s ability to seamlessly shift from brooding, atmospheric pieces to upbeat, danceable tunes kept the audience on their toes, never quite knowing what to expect next. The band was having an absolute blast on stage, at one point Hall sprayed the entire front section with a water bottle. The night continued with “Come Talk To Me” and “Angela Peacock,” and before you knew it, the encore hit everyone in the face with an amazing cover of Phantogram’s “Cruel World.”
The final song of the night, “Come of Age” was a major highlight; a song that perfectly encapsulates the band’s signature sound – soaring, moody, and intensely emotional. The audience was left in awe, fully immersed in the haunting beauty of the music.
Princess Goes delivered a show that was not just a concert but a full sensory experience, leaving the crowd eager for more.
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